Album

An Introduction To Dvorak Symphony No.9 From The New World

Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

2002

Classical

482 Kbps | 44.1 kHz

588.54 Mb

Buy album for $6.95

Disc 1

1. A quiet beginning: sorrow, syncopation, and sequence Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

2:38

2. Instrumental colour as a prime element: clarinets and bassoons, an outburs...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:58

3. The opening tune again, with different instrumental colouring; now flutes ...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:33

4. The first big surprise: strings, shattering drumbeats, shrieks from flutes...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:37

5. Cellos and basses take us into a new key while flutes and oboes dance in s...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:32

6. Horns, violas, and cellos introduce a new idea, soon to evolve into the ma...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:31

7. A tiny detail from the opening culminates in a wild drumming that heralds ...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:43

8. Introduction complete Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

2:06

9. A solo horn introduces the main theme, perkily answered by bassoons and horns Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:39

10. The theme moves to G major; answering phrase from flutes, oboes, bassoons...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:33

11. Long crescendo, tremolo strings, back to tonic and biggest statement yet ...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:40

12. Transition to the secondary theme through the use of sequence. Sonata for...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

1:36

13. Three-bar groupings and again the use of sequence, spelling out a chord Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:35

14. The sequence continues to rise, and the four-bar phrase returns as the st...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:18

15. The first violins start off the next phrase, but the melodic shape is mor...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:21

16. The violins fall silent; the violas and cellos answer with a new figure, ...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:10

17. So now we have a two-tear group, made up of statement and answer Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:07

18. The same thing again (though not quite the same)Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:06

19. Transition complete. The secondary theme arrives, with French horns as 'b...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

1:01

20. The 'bagpipe drone' is taken over by cellos, with their insistently repea...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:19

21. The tune is taken up by cellos and double-basses, 'shadowed' by the secon...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:58

22. The violins continue a pattern of steady pairs, and the cellos and basses...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:33

23. Unexpectedly, we find ourselves back with the secondary theme. A new idea...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:26

24. Again we hear the shortened version of the secondary theme, followed by m...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:34

25. The suspense is heightened as everything slows down; a soft, still varian...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:26

26. This beautiful flute tune is said to resemble 'Swing Low, Sweet Chariot'Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:47

27. A big crescendo leads to a final statement of the closing theme, bringing...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

1:16

28. The development section begins with a conversation between cellos, double...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

1:09

29. The beginning of the closing theme is taken up in turn by the horn, picco...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:18

30. Sequential chirping from the oboes based on the 'answering' part of the m...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:18

31. Much of the development comes from a diminution of the closing theme from...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:20

32. A tiny detail becomes a major ingredient, giving an agitated quality to a...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:31

33. Through a sequence of keys so quickly that it is hard to keep track of th...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:38

34. The main theme from massed cellos and double-basses, topped by two trumpe...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

1:47

35. After that major climax, we arrive at the threshold of the recapitulation...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

1:04

36. Dvorak flouts tradition by setting the secondary theme and the closing th...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

1:11

37. The tumultuous convulsion of the coda brings the first movement to its ep...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

3:09

38. Humpty Dumpty: putting the bits back together again Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:21

39. First movement (complete)Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

11:37

40. The very opening chords unmistakably herald the arrival of something special Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

1:06

41. The role of instrumentation in setting the scene Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

1:11

42. and in enhancing the quality of one of the most famous tunes in symphonic...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

1:29

43. The cor anglais is joined by the clarinet, creating a fascinating change ...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

1:09

44. For the closing part of the tune, there is another new sonority: cor angl...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:24

45. The closing bar is repeated by clarinets and bassoons, the horn adding a ...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:29

46. Back to the start to hear the whole of the story so far, this time withou...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

2:24

47. A change of scoring: the slow opening chords return, this time played by ...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

1:14

48. The changes in scoring are just beginning Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

2:36

49. The flutes and oboes introduce a new tune, over hushed tremolo strings Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

1:05

50. A memorable combination of continuous, asymmetrical melody with steady, m...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

1:28

51. Back in that woodland glade, the light and shadows have changed, revealin...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

1:33

53. An abrupt change of mood, much discussion and embellishment, and a hushed...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:00

54. Subjectivity and expertise; Sourek and Tovey disagree; onwards, into the ...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:00

55. Cue to whole movement Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:00

Disc 2

01. Dvorak, Beethoven, and the Scherzo, Dvorak purposely confuses the listene...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

1:54

02. Using a little fanfare, Dvorak further builds up expectation before revea...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:21

03. When the theme is revealed, we find that it is not exactly a tune Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:37

04. Two little bursts of rhythm provide the seeds from which much of the move...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:25

05. It is the second half of the theme that dominates Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:23

06. Back to the beginning to hear the whole of this opening section Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:48

07. Without ever being remotely 'academic' or 'intellectual', there is much c...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:21

08. Dvorak 's very Czech love of combining conflicting rhythms, sometimes metres Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

2:31

09. A clearly transitional passage, obsessed with the rhythmic tag that both ...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:31

10. Sooner than we may have expected, we seem to have arrived at the Trio sec...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

1:07

11. A new kind of tone quality sheds a subtly different light on the theme Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:36

12. The flutes and oboes now chime in with an answering variant of the opening Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:21

13. and the cellos and bassoons take up the original version of the theme.Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:44

14. A false alarm: it was not the traditional Trio section at all, but rather...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:52

15. Soon, after a very rapid build the Scherzo proper does reach its final phase Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

1:14

16. The orchestral texture thins dramatically, and we approach what this time...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

1:28

17. The Trio section is reminiscent more of the 'Old World' than the 'New'Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:50

18. In the second half of the Trio, a new tune emerges, a kind of Slavonic waltz Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

1:01

19. The main theme of the Trio returns against a much fuller orchestral backg...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:36

20. Then it is all a matter of repeats, until we reach the coda, which ends w...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

1:16

21. Third movement (complete)Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

8:07

22. Like the first movement, the fourth begins not with its main theme but wi...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:47

23. The main theme: an imposing march, introduced by trumpets and trombones, ...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:49

24. The main theme, part two. A codetta-like passage closes off the march and...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

1:01

25. The 'transitional' theme, while outwardly contrasting, is actually a hidd...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:53

26. A point of future obsession Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:17

27. The second half of this 'transitional* theme is given to the winds as soo...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:17

28. The 'obsession' takes root, with a ten-fold repetition, before the arriva...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:57

29. The hidden traps in sonata-form terminology: 'second main theme' vs. 'sec...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

2:32

30. The unexpected entry and subsequent ubiquity of 'Three Blind Mice'Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

1:24

31. We meet the mice again, now in the cellos and double-basses, where they p...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:36

32. More 'Three Blind Mice' material Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:31

33. The mice return to the basement, where the bassoons have joined the cello...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:19

34. Next, they are back with the clarinets, now joined by pizzicato violas, w...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:19

35. Now they return to the high winds, delicately trilling Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:15

36. Relief, at last: the mice back off, making way for a reminder of the main...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:35

37. The mice yield to woodpeckers (clarinets); the main theme (or its opening...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

1:08

38. The triplets of the 'transitional' theme are now handed down through stri...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:24

39. Reminders of past movements begin to fly by, thick and fast, sometimes ve...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:28

40. In fact there are three bits of quotation going on here simultaneously Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:23

41. The violas react every time the 'Goin' Home' theme is quoted by the winds Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:14

42. The rhythm of the opening of the 'Goin' Home' theme dominates, transforme...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:35

43. The march theme reappears as a Mendelssohnian fairy; the main theme from ...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

1:55

44. We reach an interesting point: have we heard the beginning of the recapit...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

1:06

45. Perhaps this is it? Back for a reminder of the theme proper, as we first ...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

1:41

100

46. Tovey places the start of the recapitulation here Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

1:27

101

47. The main theme recast in pathetic rather than heroic terms - and with mag...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

1:51

102

48. This unexpected crisis in confidence plays a major role in the overall dr...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

1:50

103

49. The main theme returns - not complete, but chopped up into shorter and sh...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

1:31

104

50. A glorious thematic stew; high drama, a powerful build-up... but then?Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

0:56

105

51. The dramatic highpoint of the movement, an astonishing transformation, bu...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

1:27

106

52. The same chords again, this time blasted out by the entire wind and brass...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

1:09

107

53. Now we are into the finishing stretch, but the surprises continue to the ...Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

1:43

108

54. Summary, context, and cue into the whole movement Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

1:06

109

55. Fourth movement (complete)Jeremy Siepmann, Stephen Gunzenhauser, Slovak Philharmonic Orchestra

1:30:38

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